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Other · Brazil — Portuguese-language audience · Ongoing

Cinematologia

Local SEO

Audience figures for Cinematologia: 2.1M Facebook followers, 762K Instagram followers, 98% recommendation rate across 4,241 public reviews, 19,430 posts published, and zero advertising spend.
Verified on Facebook and Instagram, 31 August 2026. Both profiles are public — check the numbers yourself.

Results

Facebook followers

02.1M

Built from zero

Facebook followers moved from 0 to 2.1M, a change of Built from zero.

Instagram followers

0762K

Built from zero

Instagram followers moved from 0 to 762K, a change of Built from zero.

Public recommendation rate

No reviews98%

Across 4,241 reviews

Public recommendation rate moved from No reviews to 98%, a change of Across 4,241 reviews.

The problem

A film-and-culture brand with no budget for paid reach had to compete for attention against studios and streaming platforms that buy it. Not one follower was bought. The only lever available was output that people chose to share.

What we did

Publish relentlessly to a defined niche, measure which posts travel and which do not, and let the audience decide the editorial line. Nearly twenty thousand posts, refined against real engagement rather than against a plan written up front.

The one thing every business wants, and almost nobody can buy

Marcelo Campelo, who runs Larchmont Digital, is a partner in Cinematologia and the person responsible for growing it from nothing to an audience of 2.86 million across Facebook and Instagram.

That is a strange thing to put on an agency’s case study page, so here is the honest version of what it does and does not prove.

What it does not prove

Cinematologia is a Portuguese-language film brand with a Brazilian audience. It is not a law firm in Chicago, and its audience will never buy your remodeling service. If you want a case study about a business exactly like yours, we do not have one yet — we are new, and we would rather say so than invent one.

What it does prove

Attention can be earned rather than bought. 2.1 million people on Facebook and 762 thousand on Instagram chose to follow a page, and not one of them was paid for. No boosted posts, no follower campaigns, no media budget at any point. That matters more than the size: bought reach stops the day you stop paying, and earned reach is an asset you keep.

People will vouch for it publicly. 4,241 people left a review and 98% of them recommend the page. Most businesses never get four thousand people to say anything about them at all. Reviews at that volume are the single strongest local ranking and conversion signal there is, and getting them is a discipline, not luck.

Volume plus measurement beats a clever plan. 19,430 posts. The editorial line was not designed in advance and defended; it was found by watching what travelled and doing more of that. This is exactly how we run a paid campaign or a page of a website: ship, measure, keep what worked, kill what did not.

Why this is the method you are buying

There is a specific reason this belongs on the page of an agency that also sells Google and Meta ads. Paid media is a tap: it runs while the money runs. We are happy to open that tap for you, and we will tell you what each customer cost. But an audience that was never bought is the thing that keeps producing after the campaign ends, and knowing how to build one changes what we recommend you spend on.

The reason we report on customers acquired instead of impressions is the same reason that audience exists. Impressions were never the target — the target was people choosing to come back. On your account it looks different in the details and identical in the shape: define what a win actually is, instrument it so it can be counted, then let the measurement, not the opinion in the room, decide what gets more budget next month.

Marketing results only, published with the client's permission. Results vary by business, market and budget, and Larchmont Digital makes no claim that they are typical or repeatable.

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